For Vida
2025, variable print edition
relief print, collage with pages of the Negro Traveler’s Greenbook, handmade paper, and kraft paper on Arches BFK
31 × 42 in
For Vida
2025, variable print edition
relief print, collage with pages of the Negro Traveler’s Greenbook, handmade paper, and kraft paper on Arches BFK
31 × 42 in
how to smile at the end of our world
2025
Acrylic and relief prints on kraft paper, polypropylene
72 x 78 inches
Going North
Oil on canvas patchwork, denim, indigo dyed fabric, real and faux pearls,
2024,
47 x 55 inches
Double Vision
Oil on canvas patchwork, faux pearls, air plane windows, indigo dyed fabric patchwork
2024
![A Great Migration [installation view]](https://images.squarespace-cdn.com/content/v1/5b4d74701aef1d0264ba8aca/1728583124089-DLVYRY6OO8KBI4C86V7N/kat%2Bpeabody-8%2B%25281%2529.jpg)
A Great Migration [installation view]
1 To move and stand still [middle], 2024, Handmade paper, plastics, fabric, hand embroidery, digital prints, and collaborative hand tracings collected from Peabody visitors. Crochet made in collaboration with Ellika Edelman.
2 Stalk [left] , 2024 Sewn plastics and handmade paper, reclaimed doilies, leather gloves, embroidery, foam, polyfill, crochet and American flag remnants.
3 Stalk and vine [right], 2024 Deconstructed lamp shade, cut lace, and crochet. Crochet made in collaboration with Ellika Edelman.
shot by Pat Garcia
between flight and export
2024
Cyanotype, monoprint, letterpress, and collage on cardboard mounted on reconstructed wooden pallets
77 x 112 x 5.5 in.
to pour out is to inherit
2024, monotype on sewn paper, hand braided rope, clothes pins, and reclaimed wood. Shot by Pat Garcia. Frame fabrication support from Sae Jun Kim.